Art in New York

Xquisite Corpse Act One - Today by Mirena Rhee

Xquisite Corpse Act One - Today

As part of Xquisite Corpse Act One I wore a white canvas dress on the streets of Manhattan and asked New Yorkers from all walks of life to write me a message. From the delivery guy on East 51st street, people waiting to be seated for lunch on the Upper East side, the doormen of Radio City hall, patrons waiting for their limousines at the Art Fairs, to the amazing person who literally dragged me inside the Armory Show, to visitors of Scope - New York, to a bar on 6th ave, to the cashier at Trader Joe's on 23rd street.. In 15 languages and almost 200 messages, we wrote the poem of our collective subconscious and I called it Today. Thus, the Xquisite Corpse Poem was written and Xquisite Corpse Act One was complete. 
 

I took the term Xquisite Corpse quite literally. With Corpse meaning “body”, as in physical structure, with the root of the word going back to Latin corpus “body".
This work is about the body, the body as a landscape, and whatever surrounds the body, the reality that surrounds the body, also as a landscape. As the body swims through reality it makes wakes and it changes it in someway.

Click to see the Xquisite Corpse Statement…..

The most important thing an artist have to tend to in their career is their heart and soul by mirena

I had such a punch in the stomach at Delacroix at #TheMet , I will be coming back many times, truly felt the super powers of art. Incredible one in a life time exhibition, and I have never been a Delacroix fan before. The most important thing an artist have to tend to in their career is their heart and soul.

Today is a windy day in New York city and i am not doing the installation I planned, it is going to be essentially kites blowing in the wind day. So it is back to basics day, i go over some ideas, i look into my favorite philosophers, art history and think about the ideas and the books and the work i will make.

Artwork is being wrongly described by medium – art is the heart and the soul of the artist coming through a medium.

Throughout history artists have been involved in some sort of shenanigans, whether happenings, parties, studio 54s and factories, down the rabbit holes, insane asylums, Pacific islands, ideas, ideologies, fights for freedoms and rights, there’s always some sort of writhing which always accompanies the gardening of the soul. Transcending reality just like escaping gravity, needs super power of some kind, a burst, a bomb, a will, and a lifetime of all of the above.

Here in this Delacroix self-portrait you can see said power for yourself.

@metmuseum #art #artnyc #themet #delacroix #metmuseum #expodelacroix #old masters

Portrait de l'artiste Delacroix Eugène (1798-1863) Paris, musée du Louvre

More on what the Silicon Valley gave me by mirena

Work in the valley gave me an an unlimited travel budget, in addition to a hunger to find the best players in what I considered my field. My field was art and through interactions with other artists and research on my own I decided to focus on the top players in my field, and study their work in person.  

So I went to London and went through the National Gallery as well as the Portrait Gallery and other museums, not sure what my top artist was there but a lot of Renaissance. I went to Paris to study the impressionists, my visit to Musée d'Orsay changed my entire attitude and changed the way I look at art. Until that point I had not much respect for impressionism. After that point I gained much respect for both impressionism and art, and got a glimpse of what a profound change in seeing involves.

With this newly gained perspective i started looking at Van Gogh. I went to Amsterdam and the Hague and in addition to Van Gogh looked at Rembrandt, Bruegel and the Northern Renaissance. I discovered Vermeer in person - I was running through a gallery at closing time and arrived, almost out of breath, at one of his smaller paintings. I was stunned and this small painting took my last breath away.

Anyway - back to Paris I resumed studying with sculpture and painting, and started studying Picasso and Dali. I continued my education on Picasso and Dali in Madrid, where there are three major museums stuffed with the best the world can offer in terms of painting, including Goya, and Hieronymus Bosch. My interest in Bosch came after I got acquainted with surrealism, and his work as a sort of a predecessor, the first surrealist.

Now big impact on my consciousness was of course Rome and Florence. The Vatican museums and the Uffizi produced in me growth equal in its intensity to that of going to the moon. I stared at the Botticelli and other pre-Renaissance for hours on end. Most impact on me in Rome was produced by the sculptures in the Vatican museum, and by the work of Michelangelo. Later i saw Bernini in person as well - I spent a whole day with his sculptures at Galleria Borghese.

With all this newly acquired knowledge and new standards I started spending more time in New York and the galleries there. I was flying on weekends to see the major museums, including MOMA and the Whitney. Modern art entered my consciousness, with the solid backing of old art.

And here I will pose for a minute, because art has and will always be at the forefront of what I consider worthy of thought. But there is another thing I discovered, which is a school of thought which dealt with how we see the world, and it had little, if anything to do with art.

I went to Japan, and in a summer I spent time in several temples of the Rinzai school of Zen in Kyoto. Sitting on the mats somewhere in Arashyama, surrounded by ponds and zen gardens, I was struck by lightning. Her I found, I saw and felt, the ultimate efficiency and beauty of simplicity. I saw and felt the effects of Zen and later on adopted that outlook for my life.

What did the discovery of Zen mean? It meant that on my return to America I started seeing how much time and resources we expend on things that fill our rooms and our environment. I remember a conversation with someone about their experience with a seventy thousand dollar kitchen in Westchester. Imagine the amount of pressure and resources that would take to cut up a simple salad. it's like having dinner and dragging a locomotive behind.

When I think of dinner - i imagine going to the fruit stand guy on the corner, having an avocado, a few tomatoes, fruit, eating it in a park or in a nice public space somewhere in Manhattan and using the rest of the time and resources to have fun and enjoy the company of family and friends, of galleries, museums and theaters, libraries if you want, of which our city abounds.

To sum it up and to circle back to the title I gave to this post - I had the piece of mind and resources to study what mattered to me without the pressure to produce immediate results and act on the so gained knowledge, and to expand my outlook on the world and find a set of beliefs and standards for life that struck a chord with me.

A Great night in Chelsea by mirena

One of the greatest things about art is not just the fact it pleases us but it transcends everyday life. No one wants a life mundane and ordinary, so mundane and ordinary art is short lived. I am not saying a goat has a meaningful place in art, i am saying art is bigger than life and large enough to fit anything, with enough will. Thursday nights in Chelsea are one of the best nights in the city in terms of energy and crowd.  Everyone is back in the city and everyone loves to hang out in a beautiful and fun environment with like minded people. I had a blast and looking forward to more shows, and more art. Because ultimately art saves us - imagine we may be the only creatures in the universe that do it.

     

EMINENT DOMAIN Exhibition - organized by Scotto Mycklebust by mirena

An epic eminent art party and exhibition Scotto Mycklebust threw at 524 West 26th in New York. The work I liked was by a Pakistani artist - painting on carpets and performance with a shroud made of bullet casings. The work is about the particular types of violence we practice in the US which is school shootings and other targeted decimations like the Orlando massacre. In Pakistan, violence is what they refer to as "honor killings".

Violence is very popular and practiced widely in the world today, although on a very human level we  all agreed it is completely senseless. Violence, although completely absurd, is very popular today for three reasons:

  1. it is very profitable and
  2. allows for complete control of another human being or an entire state
  3. it is easy

Because you do not need hard work or study, or the labors of love, because love is difficult. Violence and guns, on the other hand, are cheap and easy.  All you have to do is wave a gun and you are instantly in control of another human being and their entire world. No need for labor, no need of any sort of skill - these days in the US even toddlers kill people, inadvertently.

Practicing non violence is very difficult, labor and love intensive, and deadly.

Just look at the lives or Martin Luther King and Mahatma Gandhi, both bringing dramatic changes to the world. Because killing is easy and non-violence very difficult because requires talking, love, sharing - all the hard things.

 

EMINENT DOMAIN Exhibition

EMINENT DOMAIN Exhibition

 

Jackson Pollock MTA by mirena

In the greatest city in the world art just happens :) New York's MTA - Metropolitan Transportation Agency which is in charge of the subway is making art too. Currently the MTA is under a lot of pressure and this took place at the Columbus Circle subway station around 11pm. The workers probably thought I am photographing them to complain. Nothing of that sort.

Pollock's famous painting just a few blocks away: https://www.moma.org/collection/works/78386 .

Happy Holidays from Michelangelo! To be a creator is the greatest power in the world, so don't be worried about anything else. by mirena

  Michelangelo drawing from the exhibition at the Metropolitan Museum of Art in New York

A once in a lifetime exhibition at the Metropolitan Museum of art in New York. It is the Met's gift for us for the Holidays.

There is no greater power in the world than that of being a creator. When you are a creator you are in control. Everything else is an agenda fed by someone else.

We are constantly told by media, papers, whatever visual and auditory space available, that we should be eating, drinking, remodeling kitchens, buying and saving money, I think that one last thing has in such a great way deformed our consciousness that there is this anxiety that we have to be constantly on the intake. We walk around with this anxiety for the next intake, I am astonished by the amount of time and energy spent in this city on discussing, cataloging and planning past and future meals, and the acquisition of objects.

Yet, there in the dim light of the Met were these really faint ( by modern standards ) marks on paper that produced in me such great pleasure to observe and contemplate them, and I bet in others too, judging by the crowds. Really, nothing of substance at first glance, certainly nothing to be chewed on. Just marks going here and there, up and down and in circles. these markings, however faint, produced great emotions and appreciation. Pretty wondrous effect given that the author has not been around for the last 500 years and hardly ever comes up in conversations and on television.

The greatest power in the world is the power to create, we have hardly control over the first 20 years of our lives, we are placed and educated somewhat unwillingly and the only thing we can truly will is something of our own, something no one has ever produced before us and no one ever will after.

Michelangelo at the Met

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Michelangelo is coming to New York - at the Metropolitan Museum - November 13th by mirena

mirena-rhee-michelangelo Michelangelo is coming to New York - at the Metropolitan Museum - November 13th  

Michelangelo is coming to town November 13th

"Michelangelo Buonarroti (1475–1564), a towering genius in the history of Western art, will be the subject of this once-in-a-lifetime exhibition. During his long life, Michelangelo was celebrated for the excellence of his disegno, the power of drawing and invention that provided the foundation for all the arts. For his mastery of drawing, design, sculpture, painting, and architecture, he was called Il Divino (“the divine one”) by his contemporaries. His powerful imagery and dazzling technical virtuosity transported viewers and imbued all of his works with a staggering force that continues to enthrall us today."

.

 

I remember spending hours and days with his work in Rome and Florence. With his sculptures, with his paintings and frescoes, with the St Peters Church, also at the Vatican museums and remember losing my footing at the Sistine Chapel.

 

I also like – to some degree – his slaves. Not a big fan of the condition of being imprisoned in any shape or form. But we are all slaves until we find what truly saves us.

Michelangelo also embodied the very modern idea of using and innovating technology to further art. Michelangelo was a very technical artist – I remember a conversation at a conference once — where we argued about art and the impression that artists are these soft creatures who flail their limbs about hoping to make the correct gesture into artwork.

Michelangelo’s work is so much more impressive because it required substantial engineering skills to be completed. Even his marble carving of David is one that required engineering thought to free the statue from the odd shaped block of marble. I also have this very odd affinity to marble, I am not saying I like it because I feel very physically drawn to it, almost like a magnet. And whenever I look at great marble I feel glued to it with invisible strings which are very hard to abandon.

The artist also epitomized what I call the Continuous Commitment To Excellence principle. In modern terms Continuous Commitment To Excellence is what Lucasfilm and Apple employ.

Because ultimately it is single individuals that are capable of creating long lasting value and when looking for values to adhere to - I ask - does it hold up after 200 years and why. If there are sculptures that are 500 or 2000 years old and have people still moved and enthralled then there is a long lasting value in them. Usually it is beauty, ideas, skills and mastery of execution. There were recently works at the Morgan museum that were from 3300-2250 B.C and beautifully crafted. I bet whoever made them never thought there's going to be a creature 5000 years later admiring their work.

With Michelangelo it is that every single work has so much power and mastery to make a lasting impression 500 years later. What underlies this kind of achievement and strength in a work of art? He made sure to become the craftsmen, problem solver and engineer of his works. You can't be an artist before you are craftsmen. You will need to put in the 10 000 hours in some sort of craft, whatever you can tolerate doing for 10 000 hours. These hours will allow you to become an automatic creator and a good judge of beauty. There are a lot of problems that arise in art and mastering a process will teach you the good practices of problem solving which will allow you to go further than the ones who never mastered a process.

In a world where we are constantly submerged in a Hot Fuzz of markets, teslas, rockets, leadership seminars, virtual realities of all kinds, blade runner futures, menacing robots - all that really matters is the genius of man.

If you get a chance - make sure to see one of his works in person. You will be standing in front of a work of art that outlived many great things on account of being a product of a man determined to be excellent. Michelangelo fought so many battles for the most mundane things like the quality of his marble, the envy of his contemporaries, the papal politics. There were years when he couldn't be productive and faced many setbacks. The only constant was that with every project he undertook he committed to creating beauty and long lasting value by adhering to his own high standards.

 

Poet strolling by a marshy bank - ink on silk - and pretty much how I see the world by mirena

A very delicate painting I discovered and pretty much how I see the world except for me it is a clear lake, there are plants and living things in it and various wonders at various depths. Happy Thursday and Happy Memorial Day!

Poet strolling by a marshy bank. Artist:Liang Kai, Southern Song dynasty (1127–1279), ink on silk

Imagine this very delicate piece, a kinda of a gentle sack almost - has outlived all the rulers of the world and all of their castles. People from all walks of life stroll by it and observe it and this simple act gives people joy and power on the inside. One of the themes I often emphasize is that ideal objects, like paintings, poetry, great books, have the power to transform our rational and predictable world. It is an illusion that positions of power and objects of power have power, it is ideal objects, delicate things of delicate stature and subtle meanings that carry the longest and greatest punches to the mind.

dp154133

 

 

http://www.metmuseum.org/art/collection/search/40090

 

 

南宋 梁楷 澤畔行吟圖 團扇 Poet strolling by a marshy bank

Artist:
Liang Kai (Chinese, active early 13th century)
Period:
Southern Song dynasty (1127–1279)
Date:
early 13th century
Culture:
China
Medium:
Fan mounted as an album leaf; ink on silk
Dimensions:
Image: 9 x 9 9/16 in. (22.9 x 24.3 cm)
Classification:
Paintings
Credit Line:
Bequest of John M. Crawford Jr., 1988
Accession Number:
1989.363.14
On view at The Met Fifth Avenue in Gallery 213
Liang Kai served as a painter-in-attendance at the Song Imperial Painting Academy in Hangzhou from about 1201 to 1204; he relinquished that prestigious position to live and paint at a Chan (Zen in Japanese) Buddhist temple. Like his best-known paintings, preserved mostly in Japanese collections, this small landscape conveys a spiritual intensity. Under the great cliff, in the stillness of the landscape, a solitary figure meditates on the illusory world before him.

Free Art Books From the Guggenheim and others by mirena

  Guggenheim collection online:

https://archive.org/details/guggenheimmuseum

The Guggenheim has one of the largest collections of Kandinsky’s works in the world:

https://www.guggenheim.org/exhibition/kandinsky-3

The Metropolitan Museum of Art has hundreds of books available online:

http://www.metmuseum.org/art/metpublications/titles-with-full-text-online

The Getty’s virtual library:

http://www.getty.edu/publications/virtuallibrary/index.html